Twilight (Alacakaranlk) Fanatikleri...


Göörrrr:kedi:

Eskiden buralarda paylaşım vardımafoldumben
Cullen Family birbirine Edward'lı rüyalar derdimafoldumben

:roflol::roflol:

ama siz hep görüyorsunuz, ben edfırtı hiç rüyamda görmedim, cullen family bana hiç dilemedi mi acep edfırtlı rüyalar mafoldumbenmafoldumben
 
ama siz hep görüyorsunuz, ben edfırtı hiç rüyamda görmedim, cullen family bana hiç dilemedi mi acep edfırtlı rüyalar mafoldumbenmafoldumben

Evlilere dememişizdir belkim:roflol:

Yok yok tuçem benden sana bol edwardlı rüyalar..
Şöyle öpüşmeli falan..Çok bonkörüm bu akşam tadını çıkarkaydirigubbakcemile3

Haydi ben kaçtım iyi geceler, tuçemede edfırtlı rüyalar..Ehh banada:kedi:
 
ben de seviyorum robu senağlama


canım, adıvar burayı bir kapattı hepimiz ayağa kalktık kaydirigubbakcemile3

sen de burda dur, gitmeyelim geyiğe Şeniz

aman canım olur mu öyle şey:gitme:
ben çok sevdim burayı zaten sizi üzmek istemedim:çok üzgünüm:


:roflol::roflol:

Birde büyük olsun Edward'ım:asigim:






Göörrrr:kedi:

Eskiden buralarda paylaşım vardımafoldumben
Cullen Family birbirine Edward'lı rüyalar derdimafoldumben

:roflol::roflol:


ah ah hepimize edwardlı rüyalar nasip etsin yarabbim:Saruboceq:
ya birde bunların posterlerini nerden bulabilirizsositososito
odamada lazım böyle bişi:icecream:
 
evli olmakla edfırtın ne ilgisi var :kedi: iyi geceler canım opuyorumnanaktan

bazı dergiler verdi poster canım, ama ben alamadım :gitme: takipte olalım, yeni ay çıkınca her yerde olur kesin yine posterler kaydirigubbakcemile5
 
vee comic conda sahnelerde deşifre edildi bombalarrrrrrrrrrrrrrr!!!!!

Jacob Black (Taylor Lautner) and Bella Swan (Kristen Stewart) are bent over an antique light blue motorcycle. Jacob wears jeans, a brown t-shirt, and his hair is long. As Bella sits on the motorcycle, Jacob guides her hands (touching!) over the handles. "Brake. Clutch. Gas," he reminds her. Bella revs the engine. "Slowly release the clutch," says Jacob.


Suddenly, Bella sees the translucent apparition of Edward, a concerned look on his face, standing in front of her. We can see him, but also see through him. Bella takes off on the bike.

As she zooms down the road, Bella gains speed. She zooms by another apparition of Edward, standing in her path. She speeds by another. Losing focus, Bella swerves and falls from the bike, hitting her head on a rock.

Jacob speeds over to Bella on his own bike, coming to a stop with a flourish. He hops off the bike and rushes to Bella's side. She is bewildered, and blood gushes from a gash on her forehead.

"Are you trying to get yourself killed?" Jacob asks. Bella apologizes for the blood, but it doesn't bother Jacob.

He takes a step back, the camera following his every move. Jacob strips off his shirt, revealing a six-pack, and bends down to dab Bella's wound with it. Their faces come very close.

"You're so beautiful," she tells him. Emotion flashes across his face.

END SCENE. TWILIGHTERS SCREAM.



Unveiled at the close of the panel, Chris Weitz introduced the pivotal Volterra scene:

Clip 2
Alice and Bella are winding through the streets of Volterra, slowed by massive crowds of townspeople in red robes, celebrating the festival. Bella jumps out of the car.

"You're the only one he can't see. He'll be under the clock tower. Go!" says Alice.

Bella races through the crowded city. We see her at times in slow motion.

She fights her way through the crowd, stopping at the fountain in the middle of the square. In slow motion, she looks up to see Edward, slowly unbuttoning his shirt just moments away from revealing himself in the sunlight. He opens his shirt to expose his pale chest. (And his abs. Very nice abs.)


Unveiled at the close of the panel, Chris Weitz introduced the pivotal Volterra scene:

Bella screams out to Edward. "Stop! Stop! No Edward, don't!"

He takes a step forward.

END SCENE. CROWD GOES WILD.
 
motorsiklet sahensinde taylori tshirtsiz ve uzun saclı gorecegiz.ve yonetmenin daha oncede dedigi gibi edwardın bakıs acısından cekılıyor bazı sahnelere.motorsiklet sahnesinde hem bellanın vizyonu giriyor araya,hemde edwardın vizyonu..veee bella thsirti cıkardıgında jacoba "cok guzelsin" diyor....yorum yapmıyorummmmmm bu sahne için.hırrrrrrrrrrrrrrrrrrrr

volturi sahneside aynen kitaptaki gibi oluyor kızlar.sevinelim benceeeeeeeeeee.bir tshirtsiz edwardda orda bekliyor bizi :))))
 
ve kızlar teklif sahnesiolacakmıs.yonetmenız oyle dedi.bizim umdugumuz sekilde degil ama bizi vuracak şekilde olacakkk

Talking about the proposal scene at the end of the book. Fans are worried that that might have been altered or cut out for the film. Can you address those concerns?
CW: It hasn’t been cut out, I can tell you that much. It’s not going to hit them in exactly the way they think it’s going to, but I will say that, I gotta put it: It’s gonna be quite special. I kind of saved all of my gusto for that moment. I don’t think it’ll disappoint.
 
ve voltuilerrrrrrrrrrrrrr
he Volturi. Can you talk about your vision for this new group of characters?
CW: No matter how strange one of the characters is in a work of fantasy, I think you kind of have to approach them as people, and so you start to think, well, they’ve been around for 2,000 years. How would they live? How would they interact with one another? The conclusion really was that after 2,000 years, you would probably be more than mildly insane, no matter how cultured or gracious you appear on the surface.
I think that’s what Michael Sheen really managed to convey in portraying Aro, the head of the Volturi, which is that on the surface, he’s terribly gracious, warm, a wonderful host, and yet at the same time he’s absolutely lethal and frightening, and it’s also kind of what Dakota Fanning kind of conveys as Jane. She’s this, in appearance, very innocent-looking, harmless-looking almost kind of a teenager, but she’s absolutely deadly.

The first thing I wanted to do was to put them in a setting that wasn’t sort of Dracula’s castle. Because I feel that’s been done, there have been so many vampire movies and werewolf movies and horror movies where everything is dreary and dark and everything is blue or green, and instead for their headquarters to be surprisingly light and crisp, and then the characters that they play have kind of a tactile reality to them, in spite of how kind of bizarre their situation is. And the whole point is not to leave kind of Forks, Wash. where everything has been very realistic, and then suddenly go to a location that completely throws you out of the movie.

So that’s kind of a difficult balance to achieve. And the set, although it’s huge and grand and magnificent, actually kind of feels like a real place. One always has the option in these kinds of situations of shooting everything in green screen and adding the set later, and I’ve done that before, but in this case, it felt really important to actually build something that surrounded the characters, that they could interact with and that had a real sense of existing in in actual space.
 
ya bu adamın gözleri çok hoş kayboluyorum ben ya bakarken-tatlicadiarzu-
hasta mı olmuş bizim aslanşakkıdı
hemen ısıtalım kızlar:lepi:

 
ben bella nın kendini ucurumdan okyanusa bıraktıgı anda Edwardın yuzunu cok merak edıyorum.Edwardın vizyonundan gosterecekleri icin Edwardın acı cekisini gorebilecegiz.işte o zaman koparım ben.yazarken bile tuylerim diken diken oldu.bellayi öldü sanacak ve dibe vuracak.o sahneyi cok cok iple cekiyorum
 
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